I n order to support the development of Museum in Indonesia, Directorate of Cultural Heritage Preservation and Museum of Indonesia has conducted research study, masterplan, DED of Indonesia’s Batik Museum in Taman Mini Indonesia Indah. This action is supported by the recognition of UNESCO on Batik Indonesia as one of the custom fabric of Indonesia's non-object cultural heritage. By the establishment of this policy, Indonesia’s Batik Museum is described as an institution that protects, develops, utilizes and communicates the collection of batik. Problematic formula of Museum can be described as: Tropical climate does not support the criteria of temperature, humidity, lighting of Museum’s collection; Public location allows an opportunity to commit theft of collections; Museum is not able to accommodate the development of batik culture and batik as a good; Museum is not utilized collection dynamically (has minimum updating collections); Museum is not able to communicate the content collection through the concept of facade and building massing. The design is approached by using analogy of classical batik’s pattern. Classical batik’s pattern is chosen because its philosophy is the basic of development of modern batik’s pattern. Meanwhile, the analogy approachment is chosen to expose the classical batik’s pattern’s philosophy in its form without any intervention of the designer's imagination.