T The development of information technology on the TikTok digital platform has led to an increase in copyright violations and infringements of related or neighboring rights by phonogram producers, highlighting the importance of legal protection for the phonograms that they produce. One such case involves the infringement of copyrights and neighboring rights by Universal Music Indonesia (UMI) on TikTok, particularly concerning remixes of songs and/or music without permission. The issues addressed in this study are: 1) How is the legal protection for Universal Music Indonesia\\\'s phonogram producer regarding the recorded work of remix songs published on TikTok, as outlined in Law No. 28 of the 2014 Copyright (UUHC 2014)? 2) What legal measures can be taken to protect the recorded works of phonogram producers from remix actions by other parties published on TikTok? The research method used is normative legal research with a descriptive nature, utilizing secondary data from literature studies, supported by field research in the form of interviews. The data was analyzed qualitatively and concluded deductively. The economic rights of phonogram producers are protected under Article 24, paragraph (2), letters a, b, and d of the UUHC 2014. However, challenges remain in protecting copyright and neighboring rights on TikTok, particularly regarding the mechanical rights mechanism, which has yet to be clearly regulated. To address copyrights and neighboring rights violations, phonogram producers can use strict licensing, surveillance technologies, and dispute resolution mechanisms as per Article 95 of the UUHC 2014, which is generally settled through mediation.